The frontispiece of Leviathan shows a giant crowned figure rising over a landscape, his body made of hundreds of tiny people, holding a sword and a bishop's staff: the state as an 'artificial man'. Thomas Hobbes builds his argument from the ground up, beginning with the senses, the passions and the human desire for power. Without a common power to keep them in awe, he argues, people would live in a war of every man against every man, where life is 'solitary, poor, nasty, brutish, and short'; to escape it they agree to give up their rights to a sovereign whose authority must be nearly absolute. The second half applies these ideas to religion and the Church.